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In 1973, General Augusto Pinochet overtook Chile in a violent military coup. During his 17-year rule, he ruthlessly repressed all opposition to his regime, leading to the deaths of 3,000 civilians and the torture of another 30,000. HBO Films presents the fascinating true story of the former dictator's surprise 1998 arrest for crimes against humanity while undergoing back surgery during a vacation in London. Caught in international conflict, Pinochet's (Emmy Award winner Derek Jacobi) time in London forever changed his life - and the prospects for dictators across the globe.
Would I Want to Watch it Again?Reviewed by !Edwin C. Pauzer, 2008-08-14
This is a historical recounting of Augusto Pinochet's last trip
abroad (to Great Britain), where he was placed under house arrest
for a year and a half while being considered for extradition to
Spain to stand trial for war crimes.
Expatriate Chileans are just itching for the man code-named "the
gentleman" to arrive in the United Kingdom so they can have him
detained by the court. When he does, they get their wish.
One thing that stands in the way of turning him over is that
Britain did not adopt laws against torture on foreign soil until
1988. Any torture committed before then cannot be considered.
While the British Chileans explore every judical loophole to have
Pinochet account for his crimes, the former dictator's lawyers
mount a professional defense, and pressure on the home secretary to
release him is intense. That includes pressure from the United
States, Tony Blair, and the Vatican.
Into the mix comes a visit from Lady Thatcher, former prime
minister of Great Britain, who gushes over the man as the "Savior
of Chile." (This was the one surprise to me in the whole film, that
Margaret Thatcher would have even considered the company of a mass
murderer).
The Chileans too keep up the pressure, but in the end he is able to
play the fool and be judged medically and psychologically incapable
of standing trial. Pinochet returns to Chile, where he discards his
walker after deplaning, and continues unattended.
The short drama lacks the same despite the superb acting of Derek
Jacobi who plays in the title role, with a supporting cast that is
top-drawer. It is the acting that carries a sparse storyline, and
nudges it to the three star mark. The bottom line is the question,
would I want to sit down and watch this again?
The answer is unfortunately, no.
A story that needs to be toldReviewed by Timothy P. Scanlon, 2008-07-14
Generally, I shy away from docudramas. If nothing else, they're a
little too easily challengable. But when a friend reminded me that
9/11 is not only THE 9/11 but also the date of the Chilean coup in
which Augusto Pinchet took over, I felt it about time that I see
this fine film.
At the beginning, as is often the case with a docudrama, the film
reminds you that it's based on fact, but some characters may be
made up. Okay, I'll buy that.
Then the screen shows some of the atrocities of which Pinochet was
accused: 3,000 dead and 30,000 tortured. The script added in a few
places that about 1,200 disappeared too. (The activist with the
most prominent role in the cast, Nicole Prouilly, had a sister who
was among the 1,200).
Then, onto the story: General Pinochet is visiting UK for back
surgery. Activists from UK's Amnesty International office, having
tried unsuccessfully to have Pinochet arrested in the past, try
again. They appeal to Home Secretary Jack Straw who then arrests
Pinochet who's still recovering from the surgery.
Pinochet, played masterfully by Derek Jacobi, shows the hubris one
would expect from a dictator. He's arrogant, can't believe that
he's under arrest, even though he's sent to a rather elegant house
used often by English show biz personalities. He gets put in his
place by a young policewoman.
When Madame Pinochet leaves, Augusto says one of the most
intriguing lines of the script: "So much time alone with my wife;
the one masterstroke of my enemies."
In the meantime, the Pinochets hire Michael Caplan as their defense
attorney. He attempts to convince the courts--and the
Pinochets--that they are "victims of politics." He, in fact, seems
a little dismayed when Pinochet says to him that, "Friends call me
'my general.'"
The Amnesty activists are doing their best to see to Pinochet's
extradition to Spain where he was to undergo trial for crimes
against humanity. First, UK's House of Lords votes 3 to 2 against
Pinochet's immunity. (I was surprised that Tony Benn was one who
voted for it!) Then there were the appeals, Madame Pinochet's
accusing the defense attorney of doing it all for the money, the
courts debating whether to sustain the House of Lords' vote or not.
Then a pro-Pinochet PR campaign began, with the general insisting
that he as a "dictator," only in the Roman sense, i.e., he took
absolute control only to dispel an "emergency." Eventually the High
Court deciding that Pinochet can be extradited, i.e., in favor of
the activists.
In the meantime, "Baroness," former prime minister Thatcher" enters
the picture. I've never been a Maggie Thatcher fan. Her reactionary
politics have infected the British system and it'll be a while
before they recover from it. And her entering into English
"aristocracy" is a symbol of how reactionary she was. But I hope
the role she played in the Pinochet scheme was hyperbole. She was
more arrogant than Pinochet, accused the British government of
criminal behavior in arresting Pinochet. And the woman playing the
"baronness," Anna Massey, was remarkable. Of course, most of what
Thatcher did was show business, done for the camera and for HER
benefit.
To make a long story short, Pinochet eventually relied on a medical
excuse for not being extradited. He feigned dementia, went through
a battery of medical and psychiatric tests to determine that he
couldn't stand trial. He was sent back to Chile where he got out of
the wheelchair, and seemed a lot healther than when he left UK. He
died, after having been charged and tried for nothing, in
2006.
While this isn't exactly an action film, the characters made the
story move. One pivotal character, in fact, was Jack Straw's son,
played by Gethin Anthony. He learned of some of his father's
earlier political activities while this case developed. His pride
in his father was formidable. He was, however, let down when his
dad gave into Pinochet's alleged inability to stand trial.
According to the script, Straw felt it was no longer expedient to
hold Pinochet, and his son was visibly disappointed.
Then there was the young policewoman assigned to the house in which
Pinochet was incarcerated. She'd put down the arrogant Pinochet,
seemed to have endeared him, but was never sure. She left to get
married, then returned, and was never sure whether Pinochet's
disability was an act.
The script was well done, and the acting fabulous. How accurate was
it? Well, I don't know that it will convince anyone who believed in
Pinochet's innocence. A docudrama will seldom if ever do that. But
if you want something to think about, or to show to, say, a high
school or college class on issues of human rights in South America,
I would put this on the list of films I would show.